Born straight into dance music during the early 90s rave scene it was this that caught Harry Frampton’s ear at a young age. It was in fact his Uncle and older sister Holly who introduced him to this not only style of music but a way of life which lead to Harry’s first inspirations; LTJ Bukem, Fabio and Kenny Ken. After a few years Jungle became the main focus on his horizon but little did he realise it had taken a stronger hold on him than he would originally of thought.
Throughout his school years drum and bass was becoming a pinnacle peak of dance music and so Harry soon picked up his first pair of decks of which meant he was spending his money and time down at the local record shop. This was where he hooked up with Matt Deep and other new found friends and contacts which helped to provide a successful start to his early career. The only hold Harry wanted to shake off was that he was too young and as soon as his 18th birthday came he was working within promotion and DJing in nightclubs. With gaining experience through his own nights as much as playing out at others he made a small stint for himself in Aiya Napa back in 2005.
Come 2006 and Harry had launched his brand ‘Drumfunk’ which gave a strong identity to his club nights which represented bringing more than your average line ups to the small towns like Bournemouth. Names that were unheard of by the mainstream like Alix Perez, Sabre and Spectrasoul regularly headlined and not only did Harry create a new scene with his business empire but his own fan base grew along with it. After five strong years of promotion and counting Harry decided that selection on the decks and slick mixes was not enough to push himself forward at the rate he wanted and so naturally studio production came into play. Harrys production took time learning off other producers and it was when local friends Ulterior Motive decided they wanted to colab with Harry on a track that production turned serious. ‘Infrasonic’ and ‘Holding On To Never’ were the first of their productions to make it to their debut 12?, released on Teebee’s Subtitles label.
Judda’s second signing ‘Pressure Plate’ was released on Kasra’s Critical Records in 2010 of which has been his biggest success to date and secured Judda a long line of bookings outside of the UK. Judda have previously met Krakota, him becoming a resident at Judda's night - Drumfunk. The pair soon realised that both their studio vibes excelled further together at the time then in two separate solo directions. ‘Solid Shout’ and ‘Callow’ were picked up by CIA and received numerous plays on Radio One along with other productions on theirs.